Showing posts with label generations. Show all posts
Showing posts with label generations. Show all posts

Friday, May 16, 2014

Snap peas and generation gaps



I walked into the staff meeting at the winery last night with a large bag of snap peas, and immediately became the most popular lady in the room. Three of the girls I work with and a couple of the guys came right up and started taking handfuls of peas out of the bag as if it was a cookie jar, oohing and aahing as they bit into the crunchy pods.  After the feeding frenzy I noticed one of my friends tucking what was left in the bag into her purse to take home and eat later.

 I find it heartening that so many 20-somethings are fans of healthy food.  In fact, I love taking excess produce to the winery for that exact reason.

My grandparents' generation ate healthy food which they grew themselves.  The ones who were not land-owning farmers turned parts of their city gardens into growing spaces, whenever possible. My parents' generation, on the other hand, entered adulthood at the exact time large supermarkets came into being, complete with frozen food on Aisle 5, where you could pick up a boxed TV dinner, bring it home, and heat up individual and unique meals for everyone in your family in minutes. 

It was a convenience that took hold, and the result is that many of us born in the 1960's grew up eating that way.

This was, I should add, a purely American phenomenon back then.  When I visited London in the late 1960's as a child, I was amazed when we went shopping with my grandmother.  We visited the butcher, the baker, and the fishmonger.  Paper goods we bought at a local general store. Milk, cream and butter was delivered to the front door every morning. Nowadays of course London has the same giant supermarkets we do, but back then they lagged a good 20 years behind the states.  And they were probably healthier for it.


Anyway, post-war London was the environment my mother grew up in, and so I can somewhat understand her wonderment and willingness to plunge into American Supermarket Life when she moved here and married my American father. We ate hot dogs, fish sticks, TV Dinners and Stouffer's Lasagna on a regular basis.  Our next door neighbors did the same and, in another nod to convenience, ate nothing that was not served on a paper plate, thereby eliminating dishwashing.

And so my generation grew up expecting that kind of convenience, and you'd expect that most of us would simply have passed that onto our own children when we came of age.  And most of us did ... for awhile.  Sometime after the Good Times With No Social Responsibility ended (also known as the 1980's), food became important again.  Trend forecaster Faith Popcorn called it "Nesting."  Staying home more, learning the art of cooking again, and even keeping an herb garden or small veggie patch in your suburban backyard.

"Nesting" took hold with the financial uncertainties of the 1990s, along with a swing back towards natural ingredients. My generation discovered a lot of the food we'd grown up with in the 1960's was, to speak frankly, crap. Kool-Aid contained Red Dye #3, which caused cancer.  Saccharine, which was supposed to deliver us from the weight-gain of eating real sugar, also was found to cause a variety of health issues. In short, my generation realized that if they continued on the path that our naive but well-meaning parents had put is on, we'd be dead or at least in chemotherapy by age 50.

But if we started the "natural foods" trend, the next generation ran with it and made it the norm.  No longer was eating at McDonalds seen as a healthy dinner option.  No longer would Diet Coke and a can of Pringles be an acceptable lunch. If my generation went back to the land for our food ( while sometimes wistfully remembering the soft, spongy texture of Wonder Bread or the extreme sugary sweetness of a Cherry Coke), my kids' generation turned their back on all that tasty but deadly garbage completely and made endamame, quinoa, pomegranates and locally raised-and-butchered animals the new cool food. And kudos to them for it.


The new "supermarket" in town.

As I sat on the counter of the winery watching this new generation of 20-somethings and young parents fighting over a bunch of fresh snap peas from the garden, I realized that Mother Nature always has a reset button -- a generational one.  My generation pushed it, the next one furthered it along, and now we just have to make sure the new generation -- the toddlers growing up now -- understand the reasons why their grandparents and parents turned their backs on food that wasn't real, and opted for a crisp snap pea over the stale snap of a processed supermarket cookie.

I hope they understand why. I really do.



Sunday, December 29, 2013

Farming and the Family Tree


My city born-and-bred mother has finally accepted that I am a farmer, at home with rural life and "living in the sticks" as she so fondly calls where we reside.  She no longer tells me how unevolved it is to have your own well, or have a propane tank instead of natural gas, or a primitive septic system (her words, not mine).  If you think her acceptance is something to take lightly, it's not.  She has fought with me over who I was from the day I said my first word, which was not "mama" or "dada."  It was "trees."

This girl who loved trees was brought up in an urban landscape, obviously mailed to the wrong address in a joke only God Himself probably understood.  But after 30 years of wandering around an urban desert, I finally found myself living in a rural environment, and a huge part of me realized I had indeed come home to a place I belonged.

I may have realized it, but my mother did not.  Declaring it was only a matter of time before I returned to "civilization," she started a waiting game until the day I would come to my senses, pack it all back up, and rent a nice, sensible apartment near fashionable restaurants, galleries and museums somewhere back in the city.

It never happened. But I think she's finally stopped waiting, thanks to my family tree.

You see, doing my family tree has led to many discoveries, one of which is the fact that I come from generations upon generations of rural farmers.  My genetic haplogroup is known as the haplogroup that introduced agricultural practices to Europe 13,000 years ago.  There are farming genes a lot closer, too -- in 3 out of 4 grandparents' backgrounds.  The fourth side were city dwellers in London for possibly, the last 1,000 years or so -- even back to when it was called "Londinium," and was a Roman outpost...all the way up to the present day.  She still lives there, in the heart of all that hustle and bustle, quite happily, as her mother's ancestors did.



Clearly, mum got a majority of her genes from the urban-leaning 1/4 of the gene pool.  I got the other 3/4ths .  The country chromosomes, if you will.

I'm not sure if ancestry can explain everything, but I do believe our genes move us towards what's familiar and what has worked for us, on a biological level.  When I make dandelion wine, grow carrots or gather wild mustard greens, I can almost feel a resonance deep within, something in my very genes, that says I'm where I need to be and what I need to be doing.  I often wonder if reincarnation memories, where we believe we've lived before, are just our genes whispering something familiar to us, acting like a memory when actually it's only a genetic memory, an echo of those who came before us and who live on, genetically, in our DNA.
Feels like home.

When I hear certain music, eat traditional foods, or sit by a fire making homemade blankets, I feel as if I'm doing things I've done before.  And indeed, my genes have.  The city genes are something I just didn't get in the game of chance inheritance plays in making us who we are.  
Feels like Hell.

But I'm thankful that getting our DNA and family trees done has made my mother more aware of the fact that we can still be family and be quite different, both at the same time. She seems proud to know that even though I didn't inherit the city affinity she has, I did inherit tendencies and traits from the rural chromosomes I carry -- the ancient farmers, doing what they've done for thousands of years.

That, and looking up at the trees as a babe in arms and wanting to call them by name.



Tuesday, July 9, 2013

Preoccupied with the vanishing celluloid crowds

I see dead people

OK, some people might feel like this post is a downer, but I have to be honest about where I'm at, which is somewhat reflective right now.

For those of you not there yet, I will tell you something:  Your 40th birthday is no big deal.  You're still good-looking, fit, and if you've taken care of yourself, still part of the "young" half of the planet.  You're a little (or a lot) wiser than you were at 20, and maybe you have a few gray hairs or a permanent slight mini-pouch from your pregnancies, but all in all, things still look pretty good.

50 is another story.

50 is different not because you necessarily feel any differently than you did at, say, 49, but because the number is significant.  It's half a freaking century, for heaven's sake.  And unless you are someone special (like my Uncle Earl, who passed peacefully in his sleep at the ripe old age of 104) there is every chance in the world that you are well past the halfway point of your life by the time the big 5-0 comes to call.

Your fifties are also the age when the generation that came right before you is on its way out.  My mother is still with us and still healthy, but she's 80 years old and is losing siblings and friends right, left and center.  My godmother has dementia and can no longer remember her grandchildren or what she had for breakfast today. My father's ashes were scattered at sea 25 years ago, and my grandparents are also long gone, relics from the bronze age at this point.

It's a sobering thing.

So here's how it hits me:  I watch old movies on television, and they get to me because, lets face it, if it's from the 1940's or even 1950's, almost everyone in them is dead.  That's right, while others see crowd scenes filled with hundreds of costumed extras and crowds of background performers, I see a crowd of....well....dead people.  Plus, depending on the film, dead horses, long dead dogs, and a way of life that is completely changed.  

Now lest you think I'm a total downer, I'm not.  In some ways, it's kind of fun seeing the phones that plug into the wall, the old automobiles, the bullet bras and the odd kitchen gadgets.  But the faces haunt me, because I know they're either gone or so old as to be unrecognizable. And I'm conscious that the things I remember from my own childhood are getting to the same obsolete place -- fast.

My friend Rod's mother, for instance, was a dancer on the stage and in film.  She was in the first stage company of "Oklahoma," was featured on the cover of "Life" magazine, and was a principal dancer in both the film of "Oklahoma" and the movie "Carousel."
My friend's mom, roof dancer on the far right
 I saw her on TCM last weekend and there she was, fresh, young and lovely, dancing her way across the locations and movie set of the Rogers and Hammerstein classic film.  In today's world, she is very old and stricken with dementia if I remember correctly.  But on my television screen she is young and vibrant, once again and forever.


And that's the thing about those of us who were born in the 20th century.  We are among the first generations who have ever been archived, documented and preserved so well for posterity -- on celluloid, on Kodak, and on readable disc.  But while the images of us that flicker across our screens will never change, we most certainly will.  And seeing the generation before mine begin to pass out of existence is a hugely sobering thing.

I try not to dwell on it in a depressed way, but rather to take note of it in a way that gives my life more meaning and makes the days more important.  When I realize that my entire generation is going to pass away along with me, I feel better, because I realize I have comrades in arms as we get ready to shoot the rapids into whatever comes next.  But to realize that we're next generation into the boats, it certainly gives me pause to reflect.  I see it in the mirror.  I see it in the faces of the crowds in the films, the crowds of people who are all gone now.  

And I see it in the world around me, which is now centered around the young adults of the next generation, as it should be.  As it was when I was their age.  And I turn my face towards those rapids, those most certain and unavoidable rapids where the generation before me is passing, and where we're headed next.  

And sometimes I look backward to what was with a little nostalgia, some sadness, and the realization that someday, my generation will be just like the crowds in the old movies I watch now -- long gone, us and our horses and our dogs and our gadgets. And it's a strange feeling, a feeling I wish someone would coin a term for, but they won't, ever, because we never coin terms for things we're too uncomfortable to acknowledge, however universal and inevitable they may be.